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Art Pact 278 - Points of View

First Person : Well, I can't tell you much about the incident to be honest. I'd been walking through the park over the electroway, counting the grey carriages scattered among the more regular blue ones as they sped by beneath me. It was late, I remember that - I think I'd stayed an extra couple of hours at work and the sun was just coming down over the Makta Tower. I looked up and I saw a cloud of little dots just in the corner of my eye, and that was them, right? The flyers, coming over the hill on the south side of the crater. No formation, so that from that distance they looked like a flock or birds or a swarm of insects. Then they got nearer, and there was the droning, the droning... Second Person : Only you can hear the droning! You stride purposefully over to the side of the park, pausing only to glance beneath you at the busy electroway hundreds of feet beneath the park's plastiglass substrate. There are people around you, but they have not yet noticed the soun...

Interlude - six of five thousand blades of grass

I can see approximately five thousand blades of grass from my window. The first is about six centimetres long, tapered end, bending slightly to the left, about the same angle as a man who's walked six miles through a shopping centre with his wife, following her from shop to shop as she tries to find the perfect pair of shoes, and has just stopped to take the wait off his right foot. It's a sort of darkish green, approximately Pantone 355 EC. The second is slightly shorter. I think it comes from the same root. It's roughly the same colour, but a bit more yellowy. Number 3: It's considerably longer, maybe two centimetres which doesn't sound like much but it's a lot when you're that small. I'd say that the colour was more of a yellow, something like the shade of a jaundiced cauliflower. It's difficult to talk about the fourth. It's hiding behind its brothers. Or sisters, I'm not sure how one sexes a blade of grass. The French would know. E...

Art Pact 277 - In the rush

In the rush to close up shop - to lock doors and set alarms and ensure that those electrical implements that were to be turned off were turned off and those that were to be turned on were turned on, that all the windows were closed except for the one in the staff toilets of the first floor - the mechanical counting machine was forgotten. It was obvious that it would be, from the moment that it had been placed on the floor to the right of the counter. People came and went there, and so the machine was nudged further and further under the counter until it was at the back and Rebecca's tote bag had fallen across it. The counting machine had sat there all day, under the soft beige canvas, slowly counting off the seconds since it had been left. When the doors were closed behind the last customer it had got to nineteen thousand six hundred and three, when the lights went off twenty-one thousand and seventy-four, and when the door clanked shut behind the last employee - Brian, who had bee...

Art Pact 276 - Reviews

"Christ," she said, scanning the column. "I've read hostile reviews before, but this is ridiculous. What did you do, strangle his mother?" I hadn't strangled his mother. I hadn't run over his cat. I hadn't even (and this had been the source of at least three bad reviews in my university comedy group) gone out with him once and then blocked his calls on my mobile because he turned out to be a massive douchebag. In a life that I have spent inadvertently offending or injuring people, in fact, Martin St. Severan was one of the few people I had met personally who had no ulterior motive for writing me up in such scathing terms. If it wasn't for the fact that Caroline had assured me that my act was gold, I might have assumed that my initial fears were correct and that everything that came out of my mouth was a steaming pile of shit. "He's not one of those arseholes who thinks that women can't be funny, is he?" she asked. "I ha...

Art Pact 275 - Dry Garden

The previous weeks had been unbearably hot, and it was not just me that suffered. In the early morning, when the sun had risen but had not yet had time to heat the air, I unlocked the door to the cabin and walked barefoot on what had in May been the lawn. I had lain there, reading, the soft moss at mattress beneath me and grass blades borders around my arms and legs. It had been comfortable - lush, almost - but now I could feel nothing but scratchy hay pricking at my soles, and the moss had dried out until it was nothing more than kindling. I sipped at my lukewarm cup of acorn coffee and flexed my feet, scratching at the dry surface of the ground with my toenails. It was time to cut them, I noticed. "When do you think it's going to end?" asked Milla. I'd not noticed her sitting in the shade of the big oak that marked the boundary between her land and mine. She was still in the long ragged shift that she slept in, and she held a block of ice in her hands, shifting it...

Art Pact 274 - Early Morning

I woke up this morning to the sound of lorries reversing. The beeping had made its way into my dreams as the ringing of a phone I couldn't get to, then transformed itself into the sound of my/an alarm (I say that because in the half-dream it felt like the alarm was for me, but it's actually nothing like my real alarm: I have the Dies irae  from Verdi's Requiem). Finally I heard the recorded words "This vehicle is reversing." and I twigged that it wasn't yet time to get up. My eyes were still covered with a film of that gunk that gets there while you sleep, and I blinked it off awkwardly. The right eye cleared faster than the left one, making me feel slightly nauseous. It was 6:15, still another half an hour until I had to get up, and probably the earliest I had been awake in seven or eight months. I lay down again and tried to squeeze in the rest of my sleep, but the lorries were relentless. Either there were ten of them and more coming as each one left, or th...

Art Pact 273 - In the dust

I like it out in the dust. You can float there, surrounded by nothing more than the glow of your own suit lights reflected back at you. Kidderminster tells us that it's like fog back on the ground, and when we ask what fog is he just waves his hands and tells us that we should already know stuff like that. "How can we know it if we don't know what we don't know?" Peppi asks. She's ten as she asks this, then eleven, then twelve, and now that she's thirteen she stops asking because she knows the answer - there's no way to learn these things except by listening to old people like Kidderminster and then immediately searching for any word they say that we don't understand. So, this is what fog is - it's water in the air, so dense that you can't see it. Now Peppi wants to know why it is that the scrubbers let this sort of thing happen. Are they broken back on the ground? And Kidderminster shakes his head and rolls his eyes and says "kids...

Art Pact 272 - Seven Aspects of Animals

One: Seven hundred of the world's finest swans will be performing in a lake tonight. The swan ensemble comes from all corners of the world and includes the famous whooping swan choir of lower Germany, plus (controversially) a dance routine from the black swan group of Australia. Swan society has become considerably more open in the last hundred years, but this still marks the first time that black and white swans have performed together on water in public - certainly on such a large scale, arguably ever (our reporters have been to several mixed performances in the past, but they were all small affairs marked specifically as rehearsal spaces to get around the strict swan segregation rules that still exist in some states). The performance is expected to be attended by several well-known swans. Two: In some cases, rabbit warrens have been found to extend for hundreds of miles underground, right down to the lower edge of the Earth's crust. There are several theories about the ex...

Art Pact 271 - The Big City

Some facts I have noticed about the big city. Everything is big! The buildings are big! The train stations are big! The parks are big! The people are big! Well, almost everything. Not quite everything is big, but most things are. Some things are small. The mice are much smaller in the city than in the country, and the rats too. They're timid things, things that you see out of the corner of your eye as they scurry from one hiding-place to another. You could easily miss them if you're not sure where to look for them, and even then you might not find them. It's not the same as in the country, not the same as opening a barn and going inside to find a tool that you haven't used in years. You might look in the corner of your toolbox and see six little black eyes staring back up at you - nestmates, curious to see what has come to find them while their mother is away. The bit city mice and rats are reared in burrows or nests deep in the underground of the city, in the pipes...

Art Pact 270 - First Dragon

From my place under the duvet, safely cocooned from the seasonal but rather rude sunlight that had pushed its way into my room, I could hear the unusual sounds of people moving around in the front room. It was not strange to hear my mother up early - she was a compulsive morning person, unwilling to sympathise with the idea that anyone might not be as chipper as her at seven o'clock in the morning. But my sisters were more like me, and my father even more so - if it wasn't a work or school day there were even odds that you might walk into our house at midday and find my mother the only person out of bed, the only sounds our snoring and the chip-chip-chip of chisel on concrete coming from her studio. But not that morning. That morning the sounds of girls voices - one loud, one soft - took the place of the noise of my mother at work. Which in itself was strange, because my mother had been compulsively working on piece after piece for several weeks by that time, her rhythms of a...

Art Pact 269 - Dawn Battles

We fought at dawn, the smack of rough punches echoing through the quiet valley and closer to the noises of exertion and exhaustion, coughing and panting and the crunch of knuckles and jaws and other bones that we could not identify as we hammered away at them. My hands were raw from blows, my knuckles just red ruins perched atop the milk-white of my fists, and I could see the crimson streams of blood rolling down my opponent's skin, darkened by the colour beneath. We punched and punched and punched, tore and kicked at each other, we wrestled so that at one moment my thumbs were pressing into his eyes, at the next his arm was around my throat and the world was all spots and lights and the sound seemed very far away. I stamped or wriggled or punched, or more likely I did all of those things, and I was free again to continue my assault, and to continue the sanctioned assault against my own body by means of a contractor. We tore at each others's faces with our nails like wild cats,...

Art Pact 268 - Spotting the bird

She was putting her washing out on the line when she saw the bird. She froze, holding the basket of wet clothes in an awkward half-way: not up  entirely and tucked between her arms and her body so that her hips could take the weight, not down on the ground so that she could relax, but a foot or so off the pacing stone of her garden path so that her back was bent over at an awkward angle and the full weight of the thing pressed uncomfortably through her shoulders and in the small of her back. The discomfort grew into pain but still she was unable to move in case she spooked the little creature. It was about the size of her salt-shaker, and about the shape of her salt-shaker, because her salt-shaker (as many of her possessions were) was shaped like a little bird. She'd been given it ten years ago by an ex-boyfriend - well, at the time just a boyfriend, it was the intervening decade, an ignominious break-up and her marriage that had made him an ex - when she first shared with him he...

Art Pact 267 - Dust Storm

Four-fifty in the afternoon, and a black cloud of sand and dust rolled over the city, sending the inhabitants scurrying indoors. Shop shutters rolled down, windows slammed, flues were closed and those few unfortunates who had nowhere to go hunkered down in place and pulled fabric over their mouths in the hope of keeping at least the big particles out. Joseph Anonde, who had known about storm for ten minutes before its lazily violent arrival, was counting out the money from his till at the front of his shop, every few seconds peering out through a little window he'd made out of clear wine bottles and had set into the front wall of the building. "Can you see anyone?" said a voice behind him. "No-one," said Joseph. "It's thick out there, like the worst night ever." "Ha, man doesn't know about how bad nights can get," said another voice. "Man has a shop and all the money in town." "Man has a name," Joseph sai...

Art Pact 266 - Routine

He shouldn't enjoy it, but he does - the brief sting of pain as the tweezers find purchase and the rogue hair is plucked out of his eyebrow. He examines it carefully, brushing the base of it and feeling the wiry texture. He wonders why they grow like that, when it started. That's being old , he thinks to himself: when even your hair forgets what it's supposed to be doing . Thick beard-like hairs growing out of your eyebrows, sharp black hair in your nose, tufts of white frosting your tragus. His evening face, in the mirror, is the one he remembers when he's out and about. He looks better in yellowish lighting - night handsome, his brother used to call it, half an insult half a compliment. When he's talking to people this is the face he imagines he has, softly lit and slender. His morning face is deadly, pasty white skin lit by the unforgiving daylight and puffy through lying down all night so that the tides of his body have the opportunity to spread out. "Y...

Art Pact 265 - Interruptions

"There was once a man who mistook his wife for a-" "Hat?" The storyteller stared at me, his eyes narrow. "Hat?" he asked me. "A hat. You know, there was a book about it. The man who mistook his wife for a hat. By - I mean, I want to say Jamie Oliver, but obviously it wasn't him. Something Oliver." "Oliver Something," said Besson. "Not Something Oliver. Oliver Sacks." "Oh, right. Yes, Oliver Sacks." The storyteller looked from Besson to me and back again, and clucked his tongue. The sun had begun to set behind him, and from where I was sitting it now looked as though it was sitting neatly on the top of his hat. I closed one eye and then the other, causing the red orb to leap on and off the flat platform at the tip of the fabric frustum. "Are you quite done?" asked the storyteller. I stopped winking. "Oh, sorry." "Then I will continue, if I may be allowed the honour of ...