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Art Pact 216 - Underwater

Bigger by far than the tanks I was towing were the two huge air tanks attached to the side of the little drone. It buzzed along behind us, its motors making a low thrumming noise quite unlike the high-pitched electric whine they'd made at the surface. The tanks either side of it were almost as large as the drone itself, man-sized tanks with heavy-duty connectors at each end. At the forward end the connectors had been used to attach multi-regulator heads, attachments that would allow two men to breath from the front of the tank - purely a precaution in case any of our suits went out, although we had used them briefly when the time came to change over Alexander's tank and refresh his supply. We'd left the empty sitting on the seabed with a responder beacon, a super-bright bulb that would flash when it received a ping from a friendly device. It would lay hidden until we came to retrieve it, helping to keep our mission secret. I was much more worried about the sound of the dro...

Art Pact 215 - Sub-basement

In the first cellar under the house there was a great woven wool rug, a heavy thing of rich but not bright colours, so constructed that it was just over one and a half times as long as it was wide, a feature that my mother tried to remind me on many occasions was the golden ratio much talked of in antiquity. As a child, erudite though I might have been, I was unprepared to deal with the full weight of the artistic and mathematical implications of this fact, and I dismissed it with a roll of the eyes every time after the first. The first time I heard it, of course, I nodded and became - as parlance has it - all ears, as attentive a young child as has ever hung upon the words of its dam or sire, recording the phrase for later use so that I might confound the expectations of my childhood friends or impress those more educated members of the adult class that I might meet. Teachers especially I delighted in amazing with my vocabulary and grasp on matters more usually reserved for the prod...

Art Pact 214 - Odd Conspiracy

I had discovered a conspiracy - although the nature of the conspiracy was so strange, and its aims seemingly so pointless, that the very word seemed wrong. Conspiracy implied to me a smokey backroom filled with arcane geniuses manipulating the world for their own sinister aims, but the conspirators here seemed to be nothing more than middle-aged idiots, the kind of corporate nobodies that formed the undifferentiated matrix in which traditional conspirators might have floated. If you'd met any one of them individually you would be convinced that there was nothing more interesting going on in their head than the patio extension and last night's episode of Top Gear, but somehow they had managed to arrange themselves into a cabal capable of doing such a complicated and unlikely thing as ensuring that the price of staple-removers remained in a narrow band bounded by £3.49 at its floor and £4.25 at its ceiling. A little digging - now that I knew the names of the main conspirators -...

Art Pact 213 - The Puppet Dragon

Sir Cloister trod carefully into the clearing. Around him the smouldering skeletons of trees formed a perfect circle, as if they had once been distributed evenly throughout the glade but had backed away in horror from some disaster that had occurred in the middle of their ring. The air was quiet - no wind, just the distant call of a songbird high in the sky and the gentle crunch of undergrowth as the knight moved closer, ever closer to the ground zero in the centre of the empty area. There was the stone, just as the seer had told him, and beside the stone the great open mouth of the monster's lair, the den to which it had retreated with the princess, possibly with the gold it had inexplicably taken from the kingdom's coffers. He moved as swiftly as he could without causing too much extra noise, and soon gained the relative security of the stone, which he placed between himself and the hole, although not without a certain nervousness about whether the creature were flying ab...

Art Pact 212 - Eviction

We'd come to the last branch of the tree, standing underneath it in the remotest outpost of shade that the plant could offer us, and turned to look back at the house. Marshall Flowers was still standing there - still looking at us with that mixture of pity and conviction that he'd had from the moment Justice had opened the door. He nodded, just the very slightest tip of his head, but he did not look away from us for all the time that we were stood there. I don't know what he thought we might do. Assume that he'd gone and make a beeline back? There was no hope of us getting back inside, and even if we did the bailiffs would just have him break in again. It would be a kindness to him, I thought, not to make him go through all that again. Besides, it wouldn't be good for the children. Just more false hope for them. They'd lost so much, it wouldn't be fair to make them go through it all again. They'd need their strength, I supposed. "Remember it, kid...

Art Pact 211 - In Orbit

When a fortnight had passed, we went over central Europe again. "Hey, I can see your house!" I glanced over at Critz, who was pointing excitedly down at some microscopic spec on the landmass slowly rotating under us. Could he actually see my house, or was he just making a joke? His understanding of human idioms had increased vastly over the previous two weeks, so he could just have been parroting something he'd heard elsewhere. On the other hand, it was not completely impossible that he could indeed see all the way down to the surface. His eyes were certainly better than mine - as well they should have been, given how big and numerous they were - and I supposed that if a spy satellite were able to see my house there was no reason why a living thing shouldn't be able to. I checked the continent - it was only patchily visible under a great mass of cloud, but I could see the boot of Italy and the outswelling bulge of southern Spain, so tracking up there were definit...

Art Pact 210 - Petral Park

Petral Park was a large parcel of land on the north side of the city, in the shape of a circle with its top and bottom removed, an area which the town planners idiomatically described as a "fat square". It would not have been a true circle had it not been decapitated and depeditated, more a flattened ellipse. The truncation - caused on the north side by the coast and on the south side by the Miltown to Capitol railway line - resulted in the park's exterior having four obtuse angles and no acute ones, a situation which was responsible for the confusion of many a young park-goer mislead by the inaccurate depiction of the park as a stylised square on the twenty-year-old map and information boards scattered around the perimeter of the territory. Visitors often expressed surprise at the linear nature of the coast which bounded it on the north side, but those aware of the history of the park (and indeed of Miltown in general) knew that the answer was more than a hundred year...

Art Pact 209 - The Body

It was an hour before I could move. I knew this because the church bell was ringing when I found him, and it rang again as I finally managed to reach out an arm and touch it gently against his throat. His skin was cold, clammy from the mist in the air that had fallen on him. I think perhaps until that moment I had hoped that he was just sleeping, but that touch dispelled all vain hopes in an instant. He was dead, of course, and all of my hopes for him, my dreams, had died with him. That was a strange thought - to realise that something had died within me, and that at the time I had not known it. Shouldn't I have felt my heart breaking, my dreams collapsing into dust? Shouldn't I have looked up from my book, frozen in my stride, jerked uneasily from a deep sleep? What had I been doing when he had gone, I wondered? Had I been thinking about him? Or had I just been going about my business, completely unaware that the obsession that had grown to take up its own life within my min...

Art Pact 208 - Mermaid Revenge

There wasn't a man-jack of the complement who had the slightest sense of humour about the whole situation, but I tried to soldier on regardless of their intractability, using a little levity here and there in an attempt to make the rest of the journey a little more bearable. The trouble was that without the sails there was no way of judging quite how long the journey would actually be. We were still moving - the captain kept reminding everyone that the current would take us all the way to the coast eventually - but it was very difficult to judge our speed, and the quartermaster reminded us every day that we had only taken aboard enough supplies to last us for the journey as originally planned. Of course, there were solutions to that - we had plenty of water surrounding us, and although it was not quite fresh water, it was considerably less salty than the ocean, and potable without danger of illness. The overlake was also remarkably well stocked with fish, silvery pilchard-like c...

Art Pact 207 - What's his name?

What's the name of that guy who works on the hotdog stand at the Odeon? You know the one, the one who was always trying to hit on Alyss every time we tried to get those... uh, what were those sweets we were mad on? It wasn't maltesers, something like that? Began with an M. Oh year, minstrels. God, I hate the orange ones. I know, Alyss used to think that I was weird, but it all worked out. I like the coffee ones. Hmm, I just thought - isn't that racist? I mean, minstrels. Isn't that..? Oh, I don't know. Anyway, you know the one I mean, don't you? About so tall. You know, always hitting on Alyss, like every time we were there. So annoying, I mean - you know what it's like, they always think they've got a chance with Alyss just because of her - you know - and they never realise that she's just so totally out of their league that a little bit of soap isn't going to get them anywhere. He was the worst of the bunch. I kept telling her she could wait...

Art Pact 206 - Birds Eye View

The ground glided along underneath me, green patches of garden interspersed with the red-tiled shapes of houses, all bound into neat little plots that were themselves separated by the grey-black rivers of tarmac. I flew through the thin columns of smoke that wafted up from barbecues, through patches of faint perfume that had spread out from flowerbeds until they were almost too weak to detect, through the little eddies and whorls that spun away from the exhausts of central heating units. I looked down on a little gathering that from this height looked like ants. I swooped down a little closer. Yep, ants. I landed. Ants are funny things to eat. You have to peck at them quickly, which takes a stable stance, but you also have to do a little dance while you're standing there so that the little buggers don't climb up your legs and start biting your privates. It really is quite uncanny how they know to have a go at you under the wings or around the edge of your cloaca. I suppose...

Art Pact 205 - Anger

I had never been angrier in my life, a black rage that gripped all my muscles tight so that I shook violently and my jaw muscles bulged out at the side of my face. Something of it must have shown, because Mary took a step back, although John was oblivious to it and simple stood there with that same bland smug look on his face. I could feel the muscles in my forearms bunched up like steel wires, and knew that if I looked down I would see my hands in fists. I couldn't do that, though, because the certain knowledge that my fists were there would be the spur to use them, and no matter what I was feeling I couldn't start a fight. I took a step back myself, forced myself to focus on Mary's face. She was frightened, of course - she'd seen me get into fights in the past, so she must have been able to see in my expression how close I was to the edge - but I hoped she also knew that whatever happened I was not going to be taking it out on her. It was hardly her fault anyway. I t...

Art Pact 204 - The debate

"In questionable times like these," the young man said, "it's more important than ever that we focus on our own priorities before looking further afield for problems to solve. What does it profit us if we throw away our energy in pursuit of questionable gains for strangers and neglect those closer to home?" He looked around, perhaps hoping for a little interim ovation to begin and give him a rest from the sound of his own voice. Nothing was forthcoming, though - as I had expected the moment I had heard him talking. He had misjudged his crowd severely, perhaps under the mistaken impression that he was still talking to his local conservative party rather than the conference's mixed group of economists and do-gooders. I could imagine his confusion, expecting rousing applause from the ruddy-cheeked squires and blue-rinsed grandmothers who must have populated the village halls in which he normally performed, and instead being greeted only by polite coughs and ...

Art Pact 204 - The debate

"In questionable times like these," the young man said, "it's more important than ever that we focus on our own priorities before looking further afield for problems to solve. What does it profit us if we throw away our energy in pursuit of questionable gains for strangers and neglect those closer to home?" He looked around, perhaps hoping for a little interim ovation to begin and give him a rest from the sound of his own voice. Nothing was forthcoming, though - as I had expected the moment I had heard him talking. He had misjudged his crowd severely, perhaps under the mistaken impression that he was still talking to his local conservative party rather than the conference's mixed group of economists and do-gooders. I could imagine his confusion, expecting rousing applause from the ruddy-cheeked squires and blue-rinsed grandmothers who must have populated the village halls in which he normally performed, and instead being greeted only by polite coughs and ...

Art Pact 203 - Walking along the bank

"I don't know," she says, putting her hat on. She pulls the brim down low, so that it covers her eyes when she lets her head nod forward even a fraction. They appear and disappear again as she speaks, flashing on and off like the lights above a zebra crossing. I feel afraid to cross her, though. "It shouldn't be too bad." "Well, not if everything goes according to plan. But if there's a cock-up somewhere along the line it could easily go - what was that expression you used? Go south, that's it." She muses. "Why do they say that?" "I don't know. Look, look at it this way. What other choices do we have? We either go along with things as they are or we make some effort to change them. OK, that's not going to be pretty. OK, if it goes wrong it could be a bit disastrous. But things are just going to keep getting slowly and steadily worse if we do nothing, there's nothing to say that things won't end up disas...

Art Pact 202 - Kingdom of Birds

There was once a kingdom in which several warring princelings vied to be the successor to their aunt, the queen. The queen was herself unmarried, and despite several pregnancies she had been unable to carry an heir to term. Each time the queen lost a child she grieved and cast suspicious eyes at her brothers and sisters and their squabbling broods, but the royal doctor assured her that there was most likely no foul play involved - that she had simply been cursed by fate. "Perhaps," he suggested, "the iron will needed to rule a country is incompatible with motherhood. Your constitution, well suited to the demands of the regnal lifestyle, might be too strong for a child to survive. A pregnancy is a battleground," he added, seeing that the queen was observing him coolly with the sort of gaze she normally reserved for those she was about to send away to war or to the executioner's block, "between the mother - who wants to preserve her own life - and the chil...

Art Pact 201 - Magic Show

The magician waved his wand. Nothing happened. From my perch high up in the crowd I could see the brief flash of surprise on his face, but he was an artist and a performer and he rolled with it, making it seem as though it was part of the act. He waved his wand again. Again, nothing. I looked around - if there was someone in the crowd who was suppressing him other than me, I couldn't spot them. I knew that there were plenty of dampers in the town, but would most of them come into a magic show where they could be found out immediately? Well, perhaps - they weren't all known for their intelligence. That was the problem with being a damper, it didn't have any relation to any other talent, so the skill was evenly distributed across the population, which meant that a good half of them were of below-average smarts. They might easily come to a magic show for the fun of it, not realising that it would make them stick out like a sore thumb to anyone who might be watching.  The th...

Art Pact 200 - Housing

We went to floor fifteen first, as directed, only to discover that it was a pre-reception, some sort of screening system by which people were forwarded on to their actual destination. The floor was on the same level as the transport hub, fed into from a big plaza on which buses would stop every few minutes, disgorging one or more downtrodden-looking fellow paupers and on occasion some serious looking little gangs of white guys - sometimes in suits, sometimes in more military gear - who we tried to avoid. It was obvious that they were not here to make anything better for anyone, and Beya would shiver every time any of them got near us and have to turn away so that she could not see them. I made sure to step between her and the gangs so that she wouldn't have to see them as often as she might have, but it was tricky work. There were certainly a lot of them. We made our way across plaza, dodging the buses and trying not to breath too much of the fume-laden air that seemed to hang o...