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Art Pact 260 - Plane in the Ice

We carefully retreated across the ice and viewed the scene from a distance. The "plane" was stuck at a forty-five degree angle, its tail about twenty feet in the air. It looked like a whale that had breached the surface and then become stuck somehow. "I don't think it's a plane," said the older of the two women. "Of course it's a plane," I told them. "It was flying." "It was flying alright, but that doesn't make it a plane. Birds fly." "Superman flies," said the younger woman, giggling. "Well it's no bird, and it's no superman. So that only leaves a plane." "No, boy," said the older woman harshly. "There's all sorts of other things. Especially up here in the north." "But it's a plane," I said. "Just look at it! It's made of metal and everything." "Funny looking plane, though." She was right. It was funny-looking....

Art Pact 259 - Tunnels

"I hate tunnels," she said, her body rippling with disgust. I pushed past her, peering into the darkness. There were tiny points of light inside, tiny points that I could just about see if I was not looking directly at them. I tried to catch them sidelong, but they really were just indivisible atoms of light, impossible to place as distant or near. I moved aside, sat on the ledge and scratched at my tail nervously. "I'm not fond of them myself," I told her. "Although I am a little surprised about you. Aren't you - I mean, don't you live in a tunnel or something?" She rolled her head slightly so that more of her eyes were facing me - an unusually Tillian expression, one that I hadn't thought to see from a Polypede. "I live in a warren," she said coldly. "A barbarian lives in a tunnel." "What's the difference?" "You might as well ask what the difference is between a house and a cave." ...

Art Pact 258 - In The Heat of the Day

"Oh, this is intolerable!" the major blustered. He waved at the cloud of flies that attended him like a halo, succeeding only in dispersing them for a few moments before they regrouped again into their holding pattern. Frobisher could see that one of the insects had made a daring landing on the very tip of the major's ear, and was dabbing cautiously at the skin there with its proboscis. It was a brave creature - there had been many a larger animal that had wanted a piece of the old soldier, and Frobisher had seen an array of them strung up on the man's wall at the hunting lodge. One, in particular, came to mind at that moment - a rather surprised looking elephant whose head took up the greater part of the north wall between the two windows that overlooked the gardens. It seemed to have been killed in a manner entirely unexpected to it, judging by the look on its face, as though it had stumbled in upon its wife in the middle of a sordid affair with a kangaroo, and hav...

Art Pact 257 - Signals to lovers

Everybody knows that you hang a blue dress in the window to signal your lover. It doesn't have to be a blue dress. Not if you're a man. Then you can use a pair of blue trousers, or a blue shirt (which is probably preferable, a shirt really being a short dress in a way - what, you hadn't thought about that? Wear a shirt that's a little too big for you, or a shirt that fits around your neck if you have a big neck. You'll soon see how dress-like the shirt is when it's dangling around your thighs). You put a blue dress (or a blue whatever) in your window as a signal to them, so that they know that you're missing them, or thinking about them. It's an invitation to get in touch - perhaps literally, perhaps figuratively. You might see a blue dress hanging in the window of your lover's house and decide to give them a call. Then the blue dress could mean: my husband is out, now is a good time to call me. Or it might mean something completely (well, not compl...

Art Pact 256 - Creating the morning

Something of a rush, of course. There's never enough time to set such things up in advance, so we're called in at say six in the morning and everything has to be in place by eight, when it wakes up. I work on walls - walls are kind of a boring thing, but they're necessary and it isn't too taxing, so I can be relied upon to do my bit. I like working with brick walls, because they're pleasantly solid. Partition walls - you know, those things that are basically paper and plaster - they're kind of... unsatisfying? I don't know what it is about them that makes them so terrible, but there's clearly something. I think perhaps its the fact that anyone could put them up in a couple of hours, whereas brick is a skill that the average Joe, even the average bricklayer, has to take his time over. You've got to get everything in a line, you have to have the mortar at the right consistency. Don't get me wrong, I know that there are some quick-working and tale...

Art Pact 255 - My Life As A Petrol Tank

Empty. Full. Empty. Full. Empty. Full. When I'm drinking - when everything's silent except for the ticking of the pump and the gentle whoosh of others travelling past on the motorway - I consider whether this cycle is healthy for me. I mean, I'm ten years old now, been doing the same thing pretty much since the day I was brought into this world. Is reliable conformity a thing? Or is it just mindless roboticism? I'm hungry, I drink until I'm full, everything's fine again. Until the next time, because slowly, slowly, the energy drains out of me and I'm left in the same situation again, hungering, wondering how I got this way so fast and didn't I just drink myself stuffed a few days ago? It seems so recent. Empty. Then I'm coughing out fumes as the last of the drink drains away, and you can almost taste it in the hunger, a sort of desperation. A sense that something will go wrong, that I won't quite be able to make it to the drinki...

Art Pact 254 - At A Stretch

There were rows of houses stretching off into the distance, uniform flat-top domes. Melin had never seen a surface town so large, although it was nothing compared to the hives underneath. The other members of the caravan seemed less overawed. "It's just a burb-town," said Fressa. "Houses and houses and houses and nothing else. No factories, no farms, nothing." "How do they eat, then?" "They're parasites!" Bryve said loudly, leaning over from her horse. "What Bryve means to say is, they don't produce anything. They live there because the governor decrees it. All their food is brought to them from elsewhere, they don't really do any work themselves. A bit of art, perhaps, but nothing concrete. If the deliveries stopped, the town would be gone in an instant." "They can't make anything themselves!" said Bryve. "That's not entirely true. Some of them were farmers, some of them were artisans...

Art Pact 253 - Colours

There were old gods in that place, dry old gods who spoke with cracked voices and whispered in the dark so that the green soldiers who were set around the place grew nervous in the night and almost scurried from their posts when they were relieved. The few blue men who were left unharmed by the unholy storm assured their captors that there was nothing to fear, that those who had inhabited the temple before the war had been driven off long since, and without their help the gods could not be roused, but still the green men slept uneasily, tossing and turning in their beds and crying out with horror when they were selected for their detail on the guard roster. Meru-shin had no patience for such histrionics. "Remind them that they are warriors," he told his captains. "And that such displays are unseemly in front of the prisoners. If they see weakness, they will strike. You know how these blue men are." Sul and Pen nodded their assent and swore that they would dri...

Art Pact 252 - Running

The four of us running, helter-skelter pelting down the alleys and up the roads, pouring our hearts into our legs so that we could feel nothing except the pulse pounding of rubber soles on tarmac and concrete, running with all of the desire for freedom and fear of punishment that our friends and enemies respectively had filled us with, we were a team, a herd, a flock of miscreants escaping from the predators of law and custom, the men in their grey coats and blue uniforms that were ever on our heels. We were alive for those moments, perhaps because in the other moments we had let ourselves become dead by our ways, but in those moments such differences, such philosophies were all forgotten, our flight was just nature, the call and response of fists and feet, the old story of animals that must catch other animals to eat, and those that must survive by escaping such capture. We might have whinnied to each other, we might, when the spirit took us and we were so close to our foes that we c...

Art Pact 251 - The Old Campus

In the dark of the night I sometimes wake, my heart pounding like an unbalanced engine, my legs tangled in the sheet and twinging to hint at cramp should I move the wrong way or put too much weight on them. Those are the dreams of the old campus, confusing and sometimes terrible dreams that have, I think, begun to feed on themselves. The old campus was big - perhaps two kilometres by four, if you could have rearranged all the various roads and alleys and buildings and scrub areas and so forth into a single regular shape. But you could not - no-one could do that, the way it had grown, both by design and by accident, defied organisation. It was easy to become lost in one's first year, so easy that it was taken into account during scheduling - when a work party was required, it was drawn a quarter as big again as was necessary, assuming that so many of the group would become lost on their way to the muster point that the final gathering would be roughly the right size. It was not u...

Art Pact 250 - In Rebellion

"If there's an end to this in sight," said Mantell, "I must be facing in the wrong direction, because I certainly cannot see it." "It's inevitable, though. A fire that burns this fast must burn itself out." Mantell gave me a sympathetic look, shook his head sadly. "I do appreciate your attempt to make sociology one of the more exacting physical sciences," he said, "but I fear that rebellion and conflict do not work entirely the same way that fluid mechanics does. This, my friend, is a potential disaster. You can say what you like about it coming to a natural end, but I fear that the only natural end it is likely to come to is one where we all die, making it impossible to continue conflict." Latto grunted from the other end of the room. He had been sitting on the ottoman by the window, staring down into the chaos below. He still had the bandages on his leg from an injury he had sustained last week, run down by a cavalry ...

Art Pact 249 - Eric in the garden

Old, old Eric Mutterbaum creaked down the steps from his porch to the front garden and stood in the whirl of leaves that the early winter wind whipped up around his feet. He pulled his cardigan tighter around him but it just made him colder, stretching out the threadbare thing until it was little more than crochet lace, holes loosely tied together with wool from some long-dead sheep. His right slipper was biting at the sore on his heel again, and he kicked his foot at the ground to try to force his toes further in. They were themselves too swollen, though, and the pain was excruciating. He buckled forwards, caught himself on his walker, then tried to right himself against the wind. It was hard work. The wind was bully strong, rushing down the canyon formed by the long straight road and the tall terraced houses on each side of it, and a gust came that almost pushed him off his feet, it was so fierce. He clung to his walker as though it were a railing at the edge of a cliff, and betwe...

Art Pact 248 - Fete and Fortune

Full of the joys of spring, the young couples danced around the fete, infuriating Preston. He had been placed at the far end of the field, the lower end where the drainage was bad and in winter a great sheet of ice covered all living things. The ice was gone now, but its malign presence lingered, the vegetation there different in character to further up the meadow. There it was grass and wildflowers and soft moss. Here there was grass, of course - the local grass was unstoppable - but mixed with it were nettles, burr-grass, and a species of foul-smelling mushroom. Once he had been placed there by the vicar, though, Preston felt no impetus to move away. "You're looking in fine form," said Mrs. Caraller from the next stand over. She reached over her massed ranks of jams to exchange a pot of marmalade with a pot of damson, examined her work, tutted and swapped them back again. "Fine form?" "Yes," she said. "Healthy. In good fettle. Hale and he...

Art Pact 247 - Paperwork

Drowning in paperwork, we took a few minutes to go out on the balcony and smoke, impishly tapping the ash from the end of our fags off the edge so that it tumbled down onto the lower levels. There were five of us, although Bentham didn't smoke, so he stood at one end of the platform and alternately frowned at us and stared at our cigarettes. Sharon, who has a finely-tuned radar for people's weaknesses, nudged me and drew a line in the air between Bentham's eyes and Lola's mouth. I'd assumed he had been staring at her tits, but the truth was more interesting. "You all right?" Sharon asked. "You look a bit discombobulated." "What the fuck does that mean?" "Disconcerted," she told him. "Out of sorts." "No. Perfectly fine." "Oh," she said, nudging my elbow again. "I thought you might have some cravings coming over you. You know, perhaps something you used to love in the past but you...

Art Pact 246 - Stocks and Shares

The precipitous drop in stock prices, though, was hardly a worry for my portfolio - which consisted two shares in Manbourder Industries left to me by my uncle. Manbourder Industries, from what I could tell, was a holding company that held precisely one other company - a fifty-three percent share in a clothes shop in Seven Dials called "Tall and Dark" which catered to overweight and unusually tall goths - generally the former, despite the shop's more optimistic name. The shares, since they were not publicly traded, had no easily calculable public worth, and since whenever I walked past the shop on the way to my day job (filling in forms in the travel agency) it was either closed or open but empty, I imagined that profits were unlikely to be flowing to the parent company fast enough to justify any sort of dividend. Indeed, I assumed that the holding company had originally been set up as some sort of simple shell system so that the shop could be jettisoned when (as seemed i...